History as Portrayed in Art: An Interview with Harold Holzer

by ,

History as Portrayed in Art: An Interview with Harold Holzer Sara Gabbard  Sara Gabbard: Please explain the circumstances under which you and your co-authors (Gabor Boritt and Mark Neely, Jr.) undertook this enormous project. Harold Holzer: Back in 1982—it’s hard to believe it was 40 years ago!—the three of us began discussing Lincoln engravings and […]

Read More

Mystery Solved: Why the Harper’s Weekly Close-Up of Lincoln’s Second Inaugural Credited A Photo By Alexander Gardner

by

Mystery Solved: Why the Harper’s Weekly Close-Up of Lincoln’s Second Inaugural Credited A Photo By Alexander Gardner Harold Holzer  Students of mid-nineteenth-century image-making know that engravers and lithographers of that period—along with painters and sculptors—had become increasingly dependent on the medium of photography to provide source material for portraits. One of the great beneficiaries of […]

Read More

Lincoln Through the Eyes of History: Harold Holzer on Francis Carpenter

by

Lincoln Through the Eyes of History: Harold Holzer on Francis Carpenter SG:  When we first discussed your participation in this series of articles about Lincoln biographers, you asked if I thought that Francis Carpenter should be included.  Obviously, Carpenter does not “fit into” the list of biographers who have used research techniques in order to […]

Read More

Memories: An Interview with Harold Holzer

by ,

Memories: An Interview with Harold Holzer Sara Gabbard: Recent questions about the fate of various Civil War memorials raise several obvious questions.  Is there a profound difference between possible sites for statues; e.g. public vs. private property? Harold Holzer: To me, yes, there is a difference: private sites can display what their owners want to […]

Read More

History Through A Poet’s Eyes

by

HISTORY THROUGH A POET’S EYES Carl Sandburg’s books on Abraham Lincoln, far from traditional biography, remain unmatched for their vivid combination of mood, incident, and epochal sweep By HAROLD HOLZER The “elusive Lincoln is a challenge for any artist.”  So the poet, troubadour, journalist, and political activist Carl Sandburg declared (in combination warning and boast) […]

Read More

Books: An Interview with Harold Holzer

by

Sara Gabbard:  Some of our readers already know, but for those who don’t:  Why did Lincoln become your lifelong focus? Harold Holzer: The “why” is harder to isolate than the “how.”  It began for me in a fifth grade classroom in a rural neighborhood of New York City (yes, there was such a thing in […]

Read More

An Interview with Harold Holzer on “Monument Man”

by ,

An Interview with Harold Holzer regarding his new book, Monument Man: The Life and Art of Daniel Chester French [“As one of the foremost living authorities on Abraham Lincoln, Harold Holzer has long straddled the crossroads of history and art with his own inimitable brand of scholarship.  Not surprisingly, in this grandly illustrated and beautifully written […]

Read More

The Debate over the Debates: Debating Those Debates: The Historians Weigh In

by , , ,

Moderated by Harold Holzer A public sensation in the seven Illinois towns that hosted them—reprinted in the press at the time, in book form shortly thereafter, and in many edi­tions since—the 1858 Lincoln-Doug­las debates are remembered today, 160 years after they took place, as a political and cultural phenomenon. But as much as they attracted […]

Read More

A Seldom Seen “Emancipator”

by

Few artists did more to cement the reigning nineteenth-century image of Abraham Lincoln as “Great Emancipator” than Francis B. Carpenter, whose monumental canvas, The First Reading of the Emancipation Proclamation Before the Cabinet, won critical acclaim on national tour beginning in 1864 and inspired an 1866 engraving that remained a best seller for decades.

Read More